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GUITAR BLUEPRINT
Welcome to GUITAR BLUEPRINT
START HERE (2:41)
What you'll be learning
Major Blueprint Layers Chart
Part 1 - Learning The Major Blueprint Layers
Layer 1 - Octave Shape (1:28)
Layer 2 - Moveable Barre Chord (4:56)
Layer 3 - Triads (4:21)
Layer 4 - Major Arpeggio (2:52)
Layer 5 - Major Pentatonic (and learning about Playing Positions) (4:38)
Layer 6 - Major Scale (3:31)
The E-Shape (Summary) (0:33)
E-Shape Major 7th Chords and Arpeggio (1:42)
E-Shape Dominant 7th Chords and Arpeggio (2:09)
Working in Fourths (3:25)
Linking the Rhythm Layers (1:07)
Working with the metronome (4:07)
Alternating Lead Layers (2:16)
Part 2: Branching Out with The Three-Octave Approach
Defining the Three Octaves (3:17)
Three-Octave Major Pentatonic Possibilities (2:16)
Playing the Major Scale through the Three Octaves (1:59)
Working from Different Root Notes in Your Practice (1:34)
Part 3: Linking Shapes (The D-Shape)
The D-Shape Octave and Chord Forms (Major/Maj7/Dom7) (Layers 1/2) (3:16)
D-Shape Triad Forms (Layer 3) (1:31)
D-Shape Arpeggio Forms (Major/Maj7/Dom7) (Layer 4) (3:50)
D-Shape Major Pentatonic (Layer 5) (2:38)
D-Shape Major Scale Options (Layer 6) (2:04)
The D-Shape (Summary) (1:23)
Practice Idea for Linking Neighbouring Shapes (2:39)
PROGRESSION CHALLENGE INTRODUCTION
PROGRESSION CHALLENGE 1 (7:50)
Part 4: Rooting on String 5 (The C-Shape)
The C-Shape Octave (Layer 1) (0:36)
C-Shape Chord Forms (Major/Maj7/Dom7) (Layer 2) (3:07)
C-Shape Triad Forms (Layer 3) (1:30)
Arpeggio Options (Layer 4) (2:11)
C-Shape Major Pentatonic (Layer 5) (1:28)
C-Shape Major Scale (Layer 6) (1:31)
The C-Shape (Summary) (1:14)
The Walkabout Practice Exercise (2:18)
PROGRESSION CHALLENGE 2 (4:38)
Part 5: Rooting on String 5 (The A-Shape)
The A-Shape Octave (Layer 1) (1:02)
A-Shape Chord Forms (Major/Maj7/Dom7) (Layer 2) (2:34)
A-Shape Triads (Layer 3) (3:24)
A-Shape Arpeggios (Major/Maj7/Dom7) (Layer 4) (2:28)
A-Shape Major Pentatonic (Layer 5) (1:20)
A-Shape Major Scale Possibilities (2:34)
The A-Shape (Summary) (1:35)
PROGRESSION CHALLENGE 3 INTRODUCTION (1:47)
PROGRESSION CHALLENGE 3 (3:38)
Part 6: Three-Octaves from String 5(A)
Using Three Octaves from String 5(A) (4:24)
Part 7: Coming Full Circle (The G-Shape)
The G-Shape Octave (Layer 1) (0:48)
G-Shape Chord Forms (Major/Maj7/Dom7) (Layer 2) (3:05)
G-Shape Triads (Layer 3) (1:37)
G-Shape Arpeggios (Major/Maj7/Dom7) (Layer 4) (1:49)
G-Shape Major Pentatonic (Layer 5) (2:09)
G-Shape Major Scale Possibilities (Layer 6) (2:01)
The G-Shape (Summary) (1:45)
PROGRESSION CHALLENGE 4 INTRODUCTION (2:31)
PROGRESSION CHALLENGE 4 (3:55)
Part 8: The Big Picture
How The Shapes Link Up (2:42)
Linking Octave Shapes for Note Memorization (2:18)
Exploring Multiple Ways to Play the Same Chord (2:43)
Seeing Layers Anywhere on the Fretboard (1:19)
Part 9: 'CAGED' Joe
The Progression (Challenge 5) (2:33)
How to Find The Root Notes (3:15)
Defining The Playing Positions (0:51)
Playing Position 1 (starting on A-Shape) (4:30)
Playing Position 2 (starting on G-Shape) (4:10)
Playing Position 3 (starting on E-Shape) (2:37)
Playing Position 4 (starting on D-Shape) (3:13)
Playing Position 5 (Starting on C-Shape) (3:34)
Practice Ideas for Full Fretboard Vision (5:06)
Part 10: To The Dark Side (The Em-Shape)
Some Advice Before We Launch In... (3:55)
Minor Blueprint Layers Chart
The Em-Shape Octave and Moveable Barre Chord (Layers 1/2) (1:15)
Em-Shape Triads (Layer 3) (1:04)
Em-Shape Arpeggio (Layer 4) (0:45)
Em-Shape min7 Arpeggio and Chord Options (Layer 5) (3:20)
Em-Shape Minor Pentatonic (Layer 6) (1:42)
Em-Shape Natural Minor Scale Possibilities (Layer 7) (1:35)
Em-Shape (Summary) (1:32)
Revisiting the Alternating Layers Exercise (1:33)
PROGRESSION CHALLENGE 6 (5:31)
Part 11: Three-Octave Minor Scales
Applying The Three Octave Vision to Minor Layers (3:36)
Part 12: The Dm-Shape
The Dm-Shape Octave and Moveable Barre Chord (Layers 1/2) (1:07)
Dm-Shape Triads (Layer 3) (0:41)
Dm-Shape Arpeggio/ min7 Arpeggio and Chord Options (Layers 4/5) (2:10)
Dm-Shape Minor Pentatonic (Layer 6) (1:16)
Dm-Shape Natural Minor Scale (Layer 7) (0:43)
Dm-Shape (Summary) (1:16)
Minor Pentatonic Quads Vision (4:48)
PROGRESSION CHALLENGE 7 (4:28)
Part 13: The Cm-Shape
The Cm-Shape Octave and Moveable Barre Chord (Layers 1/2) (2:25)
Cm-Shape Triads (Layer 3) (1:51)
Cm-Shape Arpeggio (Layer 4) (1:09)
Cm-Shape min7 Arpeggio and Chord Options (Layer 5) (3:10)
Cm-Shape Minor Pentatonic (Layer 6) (1:25)
Cm-Shape Natural Minor Scale (Layer 7) (1:20)
Cm-Shape Summary (1:31)
PROGRESSION CHALLENGE 8 (4:13)
Part 14: The Am-Shape
The Am-Shape Octave and Moveable Barre Chord (Layers 1/2) (1:13)
Am-Shape Triads (Layer 3) (1:52)
Am-Shape Arpeggio (Layer4) (0:43)
Am-Shape Min7 Arpeggio and Chord Options (Layer 5) (2:10)
Am-Shape Minor Pentatonic (Layer 6) (1:32)
Am-Shape Natural Minor Scale (Layer 7) (1:10)
Am-Shape Summary (1:13)
PROGRESSION CHALLENGE 9 (5:22)
Part 15: Three-Octave Minor Vision from String 5(A)
Minor Arpeggios (5-3-1) (2:53)
Minor Pentatonic (5-3-1) (1:40)
Here's a Scale Pattern to Link the Three Octaves (0:51)
Three Octave Summary (Rooted on String 5(A)) (0:58)
Part 16: The Final Blueprint Layer (The Gm-Shape)
The Gm-Shape Octaves and Moveable Barre Chords (Layers 1/2) (2:19)
Gm-Shape Triads (Layer 3) (0:49)
Gm-Shape Arpeggio (Layer 4) (0:42)
Gm-Shape Min7 Arpeggio and Chord Options (Layer 5) (1:46)
Gm-Shape Minor Pentatonic (Layer 6) (2:21)
Gm-Shape Natural Minor Scale (Layer 7) (1:29)
Gm-Shape Summary (1:27)
PROGRESSION CHALLENGE 10 (4:13)
Part 17: Bringing It All Together
Linking up the Minor Shapes (2:26)
Exercises to Develop Your Fretboard Vision (2:29)
Full-Range Fretboard Vision (3:37)
Playing Across the Fretboard with a Progression (6:22)
Closing Words (0:47)
Using Three Octaves from String 5(A)
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